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ARCHIVO de actividades


COMPOSING CONTACT IMPROVISATION

con Katja Mustonen y Monika Gallardo

26 de Octubre del 2013

(english version below)
Este taller esta enfocado en algunas ideas de movimiento que surgen de nuestro interés en la improvisación y de todas las danzas que durante los últimos años hemos compartido. Con un bakground común en diversas técnicas de danza contemporánea, observamos como esto a dado forma e influenciado a nuestro entendimiento y curiosidad dentro de la práctica del CI.
Durante estas clases combinaremos ejercicios físicos que prepararán el cuerpo para poder jugar más adelante. Temas tales como momentum, back space, escucha, leer y redirigir el cuerpo en el espacio, guiar y ser guiado – por nombrar algunos de los temas en los que nos enfocaremos en esta primera parte.
Después de esto, sugeriremos algunas restricciones como una forma de limitar el marco de elección para abrir camino a otras formas de movimiento. Nos gustaría despertar el cuerpo alerta, preparado para estar disponible con lo que esta pasando, desafiando y alterando el vocabulario físico al dar énfasis en diferentes conceptos, como por ejemplo: tener un solo dentro de un duo/trio, claras limitaciones físicas,… Jugando con herramientas de improvisación y elementos que nos ponen en una situación de alerta del espacio y el tiempo para dar vida a nuestras danzas en CI de una forma más performativa.


Precio 40€ (socios inspiral 30€)

This workshop is based on some movement ideas that stem from our interest in improvisation and from our shared dances during the past few years. Coming from various Contemporary dance practices, we’ve felt how this has shaped and influenced our understanding and curiosities within CI, too.
During these classes, we’ll combine some physical exercises that support and prepare the body for further play. Themes such as momentum, back space, reading & redirecting the body in space, guiding & following - to name few - will be some of our focuses to tune and warm up the body.
After this, we’ll suggest restrictions as a way to manipulate the frame of choice to open up for different movement pathways. We’d like to evoke movers readyness to become available with what is, challenge and alter the physical vocabulary by emphasizing different concepts, such as: having a solo within a contact duet/trio/many, clear physical limitation, …. We’ll play merging other improvisational tools and elements that ask for heightened awareness of space and time to spark our CI dances in a performative ways.

MONIKA GALLARDO ROSELL (SPAIN)
I start dancing at the age of 4. I studied ballet, flamenco and contemporary, graduating in the dance school of the Institut del Teatre de Barcelona in 2003, specializing in contemporary. I studied different escenic techniques as aerial dance, juggling, músic and different techniques in contemporary dance: release, lemon, graham and flying low. I work in different companies since 2000: CIA Centre de Lectura, CIA Ampar Roselló, CIA Bebeto Cidra, La Fura del Baus,.. I came across the Contact Improvisation in Barcelona in 2007 after leaving a Vipassana retreat. Since then I have not stopped dancing, studying, sharing and organizing CI events, traveling to Argentina, Germany, USA, Finland, France and Israel to expand my knowledge. I studied with many different teachers during this time and at the same time I have been sharing the knowledge of CI since I start it with people in my community in Ibiza and around the world. Since 2008 I have formed a part of the organization and creation of Ibiza Contact Festival. I give regular classes of contemporanie dance, pilates and CI in Ibiza and abroad. Actually Im in a creative dance project with Katja and with my osteopatie studies.

KATJA MUSTONEN (FINLAND/GERMANY)
is a Finnish dancer, teacher and dance maker, who currently works and lives in Frankfurt, Germany. She graduated from the Vocational Dance School in Outukumpu, Finland 2004 as dancer, and holds a MA degree in "Contemporary Dance Pedagogy" from the Hochschule für Musik und Darstellende Kunst in Frankfurt, Germany. Since 2008, she’s been teaching Contemporary Dance Technique, Improvisation and Contact Improvisation both in Frankfurt and abroad. She is curious about the unknown as a source for creativity, and considers it to be the best teacher for change and growth. States of presence and the body’s ability to transform, embody, and transmit images, knowledge, emotions and ideas continue to fascinate and inspire her movement practice, research and abroad. Actually Im in a creative dance project with Katja and with my osteopatie studies.





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